iGaming content provider BGaming has wrapped up its year-long creative project, ‘When Art Meets Gaming,’ by unveiling its final art and gaming collaboration of 2024. This initiative, which blends art and gaming, highlights BGaming’s commitment to creativity and innovation in the iGaming space.
The project’s latest artist, Tim Marsh, brings his unique architectural style to the fore, incorporating dynamic geometric forms, patterns, and movement into his work. A half-Maltese artist, Marsh’s influences include capoeira, a Brazilian martial art he has practiced since his teens, which has inspired the tribal elements often seen in his graffiti. Marsh’s artistic journey began in 2006 in the fashion industry, where he designed for leading brands and directed the fashion pages for French magazine Snatch. His work has since evolved, with collaborations with major brands like L’Oreal, Kenzo, and Smart cars, and light painting exhibitions in Malta and France.
In preparation for BGaming’s attendance at SiGMA Malta, Marsh has created artistic interpretations of some of the provider’s top game characters, including those from Wild Tiger, Book of Cats MEGAWAYS™, Elvis Frog TRUEWAYS, Aztec Magic Bonanza, and Gold Rush – Johnny Cash. This marks the fourth and final collaboration in the ‘When Art Meets Gaming’ series, following previous partnerships with artists Gonçalo MAR, Mr. Cenz, and Clandestinos Art throughout 2024.
This initiative further solidifies BGaming’s creative presence within the iGaming industry, blending artistry with game development in a unique and engaging way.
Kate Puteiko, CMO at BGaming, said: “We are proud to collaborate on our eighth artistic partnership with the hugely talented Tim Marsh, a highly respected muralist who has breathed new life into our iconic characters once more.
“Supporting artists in the cities we visit remains one of the greatest passions at BGaming and we look forward to continuing our dedication to giving back next year.”
Artist Tim Marsh said: “I found this work quite unexpected as I am used to working on murals and live paintings. This was a different exercise from what I’m used to but to be working from a computer and not fighting the elements was enjoyable. Only a few days before, I had been struggling to finish a wall in the Parisian rain.
“I am used to taking inspiration from hand painting artwork in real life, so this presented a welcome and unique challenge for me.”
